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Mira Nair (; born October 15, 1957) is an Indian-American filmmaker. Her production company is . Among her films are ; Mississippi Masala; The Namesake; the –winning ; and Salaam Bombay!, which received nominations for the Academy Award for Best Foreign Language Film and the BAFTA Award for Best Film Not in the English Language.


Early life and education
Nair was born on October 15, 1957, in , in Express India, 2005 (now Odisha), India. She grew up with her two older brothers and parents in .
(2006). 9781557836496, Applause Theater & Cinema Books.
Her father, Amrit Lal Nair, was an officer of the Indian Administrative Service, and her mother, Praveen Nair, was a social worker. The family name "Nayyar" (not to be confused with the "") was changed by her grandfather, although one of her uncles continues to use it. Her family is of origin with roots in . She was raised in a family.

Nair lived in Bhubaneswar until age 18 and attended an English-medium high school at Loreto Convent, Tara Hall in Kaithu, Shimla, where she developed a fondness for English literature. She studied at the highly ranked —a college for women at —where she majored in sociology. Nair applied for a transfer after her first year and, at 19, she attended Harvard University on a scholarship. She concentrated in Visual and Environmental Studies, with a focus on documentary filmmaking, and graduated in 1979.


Career
Before she became a filmmaker, Nair was originally interested in acting, and at one point she performed plays written by , a . While she studied at Harvard, Nair became involved in the theater program and won a Boylston Prize for her performance of 's speech from Seneca's Oedipus.

Nair commented on film-making in a 2004 interview with FF2 Media's Jan Huttner:

It’s all in how I do it. Keeping the bums on the seats is very important to me. It requires that ineffable thing called rhythm and balance in movie-making. Foils have to be created, counter-weights. From the intimacy, let’s say, of a love scene to the visceral, jugular quality of war. That shift is something in the editing, how one cuts from the intimate to the epic that keeps you there waiting. The energy propels you.
In an interview with Image Journal in 2017, Nair said that she chose directing over any other art form because it was collaborative. "That’s why I am neither a photographer nor writer," she said. "I like to work with people, and my strength, if any, is that. Working with life."


Documentaries
At the start of her film-making career, Nair primarily made documentaries in which she explored Indian cultural tradition. For her film thesis at Harvard between 1978 and 1979, she produced a black-and-white film titled Jama Masjid Street Journal. In the 18-minute film, Nair explored the streets of and had casual conversations with Indian locals. In 1982, she made her second documentary titled So Far from India, which is a 52-minute film that followed an Indian newspaper dealer living in the subways of New York, while his pregnant wife waited for him to return home. The film was recognized as a Best Documentary winner at the American Film Festival in Wrocław, Poland and New York's Global Village Film Festival.

Her third documentary, India Cabaret, released in 1984 portrays the exploitation of female strippers in , and followed a customer who regularly visited a local strip club while his wife stayed at home. Nair raised roughly $130,000 for the project. The 59-minute film was shot over a span of two months. It was criticized by Nair's family. Her fourth and last documentary, made for Canadian television, explored how was being used to determine the sex of fetuses.

In 2001, with The Laughing Club of India, she explored . Founder Dr. Madan Kararia spoke of the club's history and the growth of laughing clubs across the country, and subsequently the world. The documentary included testimonials from members of the laughter clubs who described how the practice had improved or changed their lives. Its featured segments included a group of workers in an electrical products factory in Mumbai who took time off to laugh during their coffee break.

(2025). 9781557836496, Hal Leonard Corporation. .


Feature films
In 1983 with her friend Sooni Taraporevala, Nair co-wrote Salaam Bombay!. Nair sought out real "street children" to more authentically portray the lives of children who survived in the streets and were deprived of a true childhood. Though the film did not do well at the , it won 23 international awards, including the Camera D’or and Prix du Public at the 1988 Cannes Film Festival. It was nominated at the 1989 for Best Foreign Language Film.

Nair and Taraporevala next worked together on the 1991 film Mississippi Masala, which told the story of Ugandan-born Indians displaced in . The film centers on a carpet-cleaner business owner (Denzel Washington) who falls in love with the daughter () of one of his Indian clients. The film revealed the prejudice in African-American and Indian communities. It was well received by critics, earned a standing ovation at the 1992 Sundance Film Festival, and won three awards at the Venice Film Festival.

Nair directed four more films before she produced . Released in 2001, the film told the story of an Indian wedding, written by . Employing a small crew and casting some of Nair's acquaintances and relatives, the film grossed over $30 million worldwide. The film was awarded the award at the Venice Film Festival, making Nair the first female recipient of the award. Nair then directed the Golden Globe-winning Hysterical Blindness (2002), followed by making William Makepeace Thackeray's epic Vanity Fair (2004).

In 2007, Nair was asked to direct Harry Potter and the Order of the Phoenix, but turned it down to work on The Namesake. Based on the book by -winner , Sooni Taraporevala's screenplay follows the son of Indian immigrants who wants to fit in with New York City society, but struggles to get away from his family's traditional ways. The film was presented with the Dartmouth Film Award and was also honored with the Pride of India award at the Bollywood Movie Awards. Next she directed the biopic Amelia (2009), starring and . The film predominantly received negative reviews. " 'Amelia' Reviews, Pictures." Rotten Tomatoes, IGN Entertainment. " 'Amelia' (2009): Reviews." Metacritic. It was also a , grossing $19.6 million against a budget of $40 million. "Amelia." Box Office Mojo, January 10, 2010.

In 2012, Nair directed The Reluctant Fundamentalist, a thriller based on the best-selling novel by Mohsin Hamid. It received mixed reviews from critics, and was a box office bomb, earning only $2.1 million worldwide on a $15 million budget. It opened the 2012 Venice Film Festival in to critical acclaim and was released worldwide in early 2013. The Journal of Commonwealth Literature questioned "how the ambivalence and provocativeness of the 'source' text translates into the film adaptation, and the extent to which the film format makes the narrative more palatable and appealing to wider audiences as compared to the novel’s target readership." Nair's 2016 film Queen of Katwe, a Walt Disney Pictures production, starred Lupita Nyong'o and and was based on the story of Ugandan chess prodigy . It had a budget of $15 million and grossed $10.4 million.


Short films
Nair's short films include A Fork, a Spoon and a Knight, inspired by the quote, ″Difficulties break some men but make others.″ She contributed to 11'09"01 September 11 (2002) in which 11 filmmakers reacted to the events of 11 September 2001. Other titles include How Can It Be? (2008), Migration (2008), New York, I Love You (2009) and her collaboration with among others, and Guillermo Arriaga on the anthology film Words with Gods.


Other work
A long-time activist, Nair set up an annual film-makers' laboratory, Maisha Film Lab in . Since 2005, young directors in have been trained at the nonprofit facility with the motto that " If we don't tell our stories, no one else will". As of 2018 Maisha was building a school with architect Raul Pantaleo, winner of the Aga Khan Award for Architecture, and his company, Studio Tamassociati.

In 1998, Nair used the profits from Salaam Bombay! to create the Salaam Baalak Trust, which works with street children in India. A musical adaptation of Monsoon Wedding, directed by Nair, premiered at the Berkeley Repertory Theatre, running from 5 May to 16 July 2017. ″Monsoon Wedding Kicks Off Developmental Lab Today″, Playbill, 30 May 2016 As of 2015, she lived in New York City, where she was an adjunct professor in the Film Division of the School of Arts for Columbia University in . The university had a collaboration with Nair's Maisha Film Lab, and offered opportunities for international students to work together and share their interests in film-making.

In July 2020, journalist Ellen Barry announced that her -nominated story "The Jungle Prince of Delhi" about the "royal family of Oudh", published in The New York Times, would be adapted into a web series for by Nair. In March 2021 it was announced that Nair would direct a ten-episode TV series for Disney+ reimagining the National Treasure series with a new cast.


Personal life
In 1977, Nair met her first husband, photographer , when taking photography classes at Harvard University. They divorced in 1987.

In 1988, Nair met her second husband, Indo-Ugandan political scientist , while in doing research for the film Mississippi Masala. Mamdani teaches at Columbia University and is also the chancellor of Kampala International University in Uganda. Their son, , was born in Kampala, Uganda in 1991. In 2020, Zohran won a seat representing Astoria, Queens, in the New York State Assembly. He won the Democratic Primary for the New York mayoral election in 2025.

Nair has been an enthusiastic practitioner for decades; when making a film, she has the cast and crew start the day with a yoga session.


Political views
In July 2013, Nair declined an invitation to the Haifa International Film Festival as a "guest of honor" to protest Israel's policies toward . In posts on Twitter, Nair wrote: "I will go to Israel when the walls come down. I will go to Israel when occupation is gone...I will go to Israel when the state does not privilege one religion over another. I will go to Israel when Apartheid is over. I stand w/ Palestine for the Academic and Cultural Boycott of Israel (PACBI) & the larger BDS Mov’t." Nair was praised by PACBI, which said her decision to boycott Israel "helps to highlight the struggle against colonialism and apartheid." She subsequently tweeted "I will go to Israel, soon."


Filmography
Feature films
1988Salaam Bombay!Nominated - Academy Award for Best Foreign Language Film
Nominated - BAFTA Award for Best Film Not in the English Language
Nominated - Golden Globe Award for Best Foreign Language Film
Nominated - Filmfare Award for Best Director
1991Mississippi MasalaNominated - Independent Spirit Award for Best Film
1995The Perez Family
1996
2001 Nominated - BAFTA Award for Best Film Not in the English Language

Nominated - Golden Globe Award for Best Foreign Language Film

2004Vanity Fair
2006The Namesake
2009Amelia
2012The Reluctant Fundamentalist
2016Queen of Katwe

Short films

1993The Day the Mercedes Became a Hat
2002IndiaSegment of 11'9"01 September 11
2007Migration..Segment of AIDS Jaago
2008Kosher VegetarianSegment of New York, I Love You
2008How can it be?Segment of 8
2014God RoomSegment of Words with Gods

Documentary films

  • Jama Street Masjid Journal (1979)
  • So Far From India (1982)
  • India Cabaret (1984)
  • Children of a Desired Sex (1987)

Television films

  • My Own Country (1998)
  • Hysterical Blindness (2002)

Television series

2020A Suitable Boy5 episodes
2022Episode "I'm a Ghost"


Awards
Nair was awarded India's third highest civilian award, the , by the president of India, .


Wins
  • 1988: Audience Award, Cannes Film Festival: Salaam Bombay!
  • 1988: Golden Camera (Best First Film), Cannes Film Festival: Salaam Bombay!
  • 1988: National Film Award for Best Feature Film in Hindi: Salaam Bombay!
    (1989). 9780140127249, Penguin Books.
  • 1988: National Board of Review Award for Top Foreign Films: Salaam Bombay!
  • 1988: "Jury Prize", "Most Popular Film" and "Prize of the Ecumenical Jury" at Montreal World Film Festival: Salaam Bombay!
  • 1988: New Generation Award, Los Angeles Film Critics Association Awards
  • 1991: (Best Original Screenplay), Venice Film Festival: Mississippi Masala (with Sooni Taraporevala)
    (2025). 9780810857384, Scarecrow Press.
  • 1991: Critics Special Award, São Paulo International Film Festival: Mississippi Masala
  • 1992: Best Director (Foreign Film), Italian National Syndicate of Film Journalists: Mississippi Masala
  • 2001: (Best Film), Venice Film Festival:
  • 2001: Laterna Magica Prize, Venice Film Festival: Monsoon Wedding
  • 2002: Audience Award, Canberra International Film Festival: Monsoon Wedding
  • 2002: Special Award for International Cinema, Zee Cine Awards: Monsoon Wedding
  • 2002: UNESCO Award, Venice Film Festival: 11'9"01 September 11
  • 2003:
  • 2004: Faith Hubley Web of Life Award, High Falls Film Festival
  • 2012: "IFFI Centenary Award" for The Reluctant Fundamentalist


Nominations
  • 1989: Academy Award for Best Foreign Language Film: Salaam Bombay!
  • 1989: César Award for Best Foreign Film ( Meilleur film étranger): Salaam Bombay!
  • 1989: Golden Globe Award for Best Foreign Language Film: Salaam Bombay!
  • 1990: BAFTA Award for Best Film Not in the English Language: Salaam Bombay!
  • 1990: Filmfare Best Director Award: Salaam Bombay!
  • 1990: Filmfare Best Movie Award: Salaam Bombay!
  • 1991: (Best Film), Venice Film Festival: Mississippi Masala
  • 1993: Independent Spirit Award for Best Feature: Mississippi Masala
  • 1996: Golden Seashell, San Sebastián International Film Festival:
  • 1999: Best Film, Verzaubert International Gay & Lesbian Film Festival: My Own Country
  • 2001: Screen International Award (Best Non-European Film), European Film Awards:
  • 2001: Golden Globe Award for Best Foreign Language Film: Monsoon Wedding
  • 2002: BAFTA Award for Best Film Not in the English Language: Monsoon Wedding
  • 2003: Golden Star, International Film Festival of Marrakech: Hysterical Blindness
  • 2003: César Award for Best Film from the European Union: 11'9"01 September 11
  • 2004: (Best Film), Venice Film Festival: Vanity Fair
  • 2007: Gotham Award for Best Film: The Namesake


See also
  • Indians in the New York City metropolitan area


Further reading


External links

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